4/9/2024 0 Comments Programs like digicel flipbook(If a class ever contained a religious sermon, I know I must have missed it.) This just strikes me as a low blow, and ageist. I fail to see how Bluth's Mormon faith has any relevance whatsoever in relation to the class. It was GOLDEN for a reason, and I'm grateful at least one person out there is still carrying the torch. And unlike other online instruction courses, where you can simply watch videos, the value with DBU is Don's personal feedback and critical thinking to your work.ĭon always was an advocate of the "Golden Era" of animation, and I heartily agree with him. The fundamental principles of animation date back over a century, and that Bluth's class in entirely centered around the art of traditional animation techniques was the big selling point for me. Overall, I don’t regret taking it, but you are much better off learning from someone else who can not only teach you techniques but also how to apply them to today’s world without selling your kidney.Īaron Blaise exemplifies this perfectly. If you want to learn from a professional/get a job/enhance your hobby, this is not a good financial option. But how can you make a decision if there is no reviews/comments on it?Īsk yourself why do you want to take this course? If you want to learn the paper and pencil way of animating/hang out with a master animator, go for it. I’m low key embarrassed I took it because I was blindsided by nostalgia. Although I do avoid bragging about it because I don’t want to talk about the course. I have good memories and bragging rights. I still have Don’s books/DVDs on my shelf. I have a binder of the all exercises I’ve done from the course that I plan on doing in the future. You’ll spend your time trying to impress your childhood idol rather than trying to absorb the information presented and building your skills. Especially in the digital age where information is freely accessible/the animation industry is competitive. As a teacher, you have a responsibility to your students to give them $10,000 worth of knowledge, time and support. But my other classmates had jobs that involved them traveling, had families, we’re young students in college or even just fans of Don from all over the world. When I took this course, I had a lot of anxiety of balancing this with my life and my output didn’t turn out good at all. and $20 for a useless program that has tutorials from over a decade ago. $10,000 plus the light box, animation paper, pencils, pegs, etc. How can something look so simplistic be this stupid to use? I remembered having too look up tutorials on YouTube ((for FREE))that (to this date)are 12 years old. I remember having to jerry rig it to do pans, play music, upload drawings etc. Digicel Flipbook is a terrible, convoluted animation program. I don’t know how to explain the technological side of things, but from what I’ve heard from my friends at the time, Don’s setup could have definitely be optimized way better. Instead of repurposing his knowledge into today’s world he continues to regurgitate his knowledge as if it’s the 90s. I feel like he is stuck in his own era and doesn’t have a pulse on what’s going on/what’s in demand in the animation industry. If you have knowledge on how media/cinema is shot and made then you’ll have a huge advantage in this course.ĭon himself is a conservative guy. The techniques you learn are vital, but you can learn them from any decent animation tutorial on YouTube for FREE. Also god forbid Don sees the peg holders slightly shift on your test run. All this work compared to a millisecond of scrolling through digitally drawn frames on a program like Procreate. Plus you have your own personal obligations like a job, going to school, family etc. Then you have to scan and upload 15 to 30 drawings while using peg holders (you have to use peg holders for this course) to Digicel Flipbook (a really shitty program that Don recommended)only for your animation to look wonky and you have to do it all over again. The oils from your fingers/pencil smudges get all over the corner of the paper that you keep flipping. Drawing over and over a big bulky light box. Pen and paper is like working with a glitchy program and the glitch is human error. I was a traditional animation purist(animating with pencil/paper)until I took this course. I’m not trying to smear anybody, I’m judging this course as a viable product. Please keep in mind that this is my opinion and that I took this course a couple years ago I’m unaware of any upgrades or changes that have been made since then. Do not go into debt or give up college for this course. There are free tutorials online and veteran animators who charge WAYY less for lessons.
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